http://www.theaclark.com/new-gallery-1 daily 0.75 2023-07-10 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1661835429916-VIHXQEP3PHBSYOV4MPPB/image-asset.jpeg Sculpture - Venit et Sensit 30”h x 42”w x 5”d Fallen branches, cotton bed sheet, vintage quilt, repurposed garments, wood, metal, found reflector GROW Residency August 2022 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1661835429916-VIHXQEP3PHBSYOV4MPPB/image-asset.jpeg Sculpture - Venit et Sensit 30”h x 42”w x 5”d Fallen branches, cotton bed sheet, vintage quilt, repurposed garments, wood, metal, found reflector GROW Residency August 2022 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1661835282690-S25JDKCVQ02DWI1SL7AI/image-asset.jpeg Sculpture - Our Now and Future World 48” h X 23”w x 2”d Vitreous enamel on copper, cotton bed sheet, sewn and soil dyed, wood. GROW Residency August 2022 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1661834921669-2GKKKM33T0DD5EQPX278/image-asset.jpeg Sculpture - Adaptation 38”h x 15”w x 6”d Fallen branch, cotton sheet, cyanotype on paper and silk, rope, mica, flood plain maps, found object Made during GROW Residency August 2022 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1689018547600-ZSLINSE6TA89KWMGKA9B/image-asset.jpeg Sculpture - Adaptation (detail) Cyanotype on paper, collage, mica, found wood, cotton, metal https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1661835131798-MN8W03DI2X9OYG97JJJS/image-asset.jpeg Sculpture - Great Wave Installation, 8.5’h x8’w , cotton bed sheet, sewn, soil dyed, found photographs. GROW Residency, August 2022 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1633404919338-1SQ3HJLNLWO8WRCSOSA4/image-asset.jpeg Sculpture - Necklace for a Tree, 2021 One cotton bedsheet, Carolina soil, water (4’ x 4’) https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1601954403699-0TU80G3JXQZTHQVE0KKI/4.+Axial+Bifuraction_Thea+Clark.jpg Sculpture - Axial Bifurcation, 2015 The (Not So) Secret Life of Plants, Robeson Gallery, Rutgers University, Newark, NJ “Axial Bifurcation” describes having two heads.This title refers to how mankind is of two minds in our relationship to nature, either treasuring or trampling it. Utilizing wood planks which can be read as 3 dimensional map coordinates, or as aerial views of encroaching roadways. The asphalt shingles on these forms vie for territory on a constricted surface, limiting the space available for artificial turf grass and cyanotypes of branch imagery to spring from cracks, a simulacrum of nature in an urban landscape. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1429900760973-BSPXWUF3VRQYR7478077/Thea+Clark+2+copy.jpg Sculpture - Axial Bifurcation detail In a different configuration part of the solo installation "The Quick and the Deep", the Visual Arts Center of New Jersey, 2014. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1424959664334-DG40OD14103I8TMGS640/2013-01-22+16.46.56+HDR.jpg Sculpture - Untitled 10" w x 6" h x 2"d wood, acoustic tile, artificial grass, cyanotype on silk, nails https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1424959423910-IHY3Z9PZ27HLI0DCBIPL/2013-05-02+13.09.27.jpg Sculpture - Untitled Acoustic ceiling tile, asphalt shingle, wood, acrylic, artificial turf https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1424959594497-1Z3Q4442GU1GF74I4OT7/Photo+Jun+19%2C+11+49+51+AM.jpg Sculpture https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1424959643707-T4E9YO1KBC532PG54UTF/IMG_2489.jpg Sculpture - Untitled 2013 7" w x8" h x 1.5"d Wood, acrylic paint, asphalt shingles, acoustic tile, cyanotype on silk, coir, artificial grass, iron oxide. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1424959680520-897RZTSCJPF5B51TCWN1/Untitled+wall+relief%2C+2013.jpg Sculpture https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1424959616870-EQVXUJN8OUV0M6UPMIO1/untitled%2C+2012.jpg Sculpture - Untitled, 2012 Acoustic tile, wood, steel, mail, iron oxide, paper clay https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1429847275354-RDMI1SRLFS11VE43ZW11/image-asset.jpeg Sculpture - Axial Bifurcation, 2015 Axial Bifurcation, The (Not So ) Secret Life of Plants, Robeson Gallery, Rutgers University, Newark NJ 8' h x 7' l x 6"w We are of two minds, like creatures born with two heads, a phenomena referred to as axial bifurcation, we simultaneously treasure and trample the natural world. By focusing on this bifurcation of humanity and nature into two oppositional forces, I question how to sustain a functional dynamic between their competing needs, while ultimately longing for a means to unite them. Axial Bifurcation is a proposal for an installation project that utilizes wood plank structures which can be read as 3 dimensional map coordinates, or as aerial views of encroaching roadways. The asphalt shingles on these forms vie for territory on a constricted surface, limiting the space available for artificial turf grass and cyanotypes of branch imagery to spring from cracks, a simulacrum of nature in an urban landscape. In contrast to these geometric and linear elements, columnar forms of silk fabric with photograms, bisect the room while they hang from the ceiling. These symbolic sentinels are forest-like, using abstracted images made using natural tree and plant debris gathered locally. Ideally, the exposure to the sun’s UV light to capture the cyanotypes would happen onsite. These translucent, ghostly images are illuminated by the light in the room. The use of cyanotypes in my work, creates 2 dimensional images that serve as stand-ins for actual objects. It permits distance, allowing a filter of memory to influence the viewer. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1424960000524-55FAD097GBZ716B3HMX2/Clark%2CThea+Untitled.jpeg Sculpture - Untitled, 2013 10" w x 11" h x 3"d wood box, steel, paper wood, found plastic, peridot, acoustic tile, acrylic paint, encaustic, wood https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1424959472745-YTYTBP3R618SVDB9XHA3/IMG_1219.jpg Sculpture - Untitled, 2015 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1424959358489-6PAALZBGVFHAVX1GP6U3/IMG_2528.jpg Sculpture - Untitled, 2014 Asphalt shingles, pigmented cast plaster, acrylic https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1424959486532-QD9JCP3H1AB59S8VVI4N/IMG_1220.jpg Sculpture - Untitled, 2015, detail 1 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1424959562480-9GL9G3DN4TZL5IHCCDIK/IMG_1216.jpg Sculpture - Untitled 2015, detail 2 https://static1.squarespace.com/static/533855dae4b04753b10b62ae/54ef2748e4b0dd6c6d142301/54ef2949e4b0f752c5a1760a/1661835855096/IMG_2486.jpg Sculpture http://www.theaclark.com/archive-jewelry daily 0.75 2022-10-26 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1666824653818-YZQEH6DHICX68JRWSZC9/image-asset.jpg archive Jewelry Cloud brooch https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1666824653818-YZQEH6DHICX68JRWSZC9/image-asset.jpg archive Jewelry Cloud brooch https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1650826270205-B6EHVW82OXHZA3MAKE6F/image-asset.jpeg archive Jewelry - Red Weather 1, 2012 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1650826330475-A77AZND8TOQIQ6T5NKDL/image-asset.jpeg archive Jewelry - Red Weather 2 2012 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1650826900899-15WJPMTDXSDBOW869CK7/image-asset.jpeg archive Jewelry - Skies Necklace 2012, waxed hemp, aquamarine beads, tinted plastic on nickel silver https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1400177369788-0EPLUNQQ554GLH9QFJNA/Thea5346.jpg archive Jewelry - Pour Brooch, sterling silver, cooper, enamel, wood, glass, lepidolite mica, ink on actetate, tinted plastic, 2010. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1400180544466-XBP661TX2B0YFNTXHME4/Stitch%2C+Bind%2C+Explode.jpg archive Jewelry - Stitch, Bind, Explode Brooch, handmade felt, cotton thread, steel, oxidized sterling silver, 2009. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1400180278283-TXTJSTBAR1XW97DJH4KY/enamel+necklace%2C+2009.jpg archive Jewelry - Eddies Necklace, enamel on copper, steel, leather cord, sterling silver, 2009. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1400177068733-NZOC7647TTMMWDIHSW2Z/_DSC4672.jpg archive Jewelry - Vector Brooch/pendant. Oxidized silver, druzy quartz, 18k, handmade felt. 2008 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1400177005344-XPWOGYRBR89B246A1WDT/_DSC3946+copy.jpg archive Jewelry - Viking Necklace As seen in 500 Felt Objects (Lark Books) Silver, handmade felt, horn. 2006 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1400177041078-2FZQGGB178HOZXQFA03O/_DSC9752.jpg archive Jewelry - Domestic Inclusions #2 Brooch, sterling silver, steel, PVC, pearl, mica, cotton cloth , cotton floss, acrylic, 2009. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1400177117482-23ZO3H8NA3TFX2SL9PIH/_DSC9368.jpg archive Jewelry - Habeas Corpus Brooch, oxidized sterling and fine silver, 22k bi-metal, handmade felt, 2008. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1400177134402-IQ972GLIL17KSAVAQSB8/_DSC3966.jpg archive Jewelry - Ascend Pendant, oxidized sterling silver, citrine, handmade felt, 2007. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1400177152510-GCDN0TSI7Y1P2UPDBHRF/_DSC6505.jpg archive Jewelry - Untitled Brooch/pendant, oxidized sterling silver, 22k bi-metal, PVC, pearls, 2008. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1400177229833-0YGIHGWQSPEXPK3R0S0X/_DSC9738.jpg archive Jewelry - Garden View Brooch/Pendant, painted sterling silver, 18k, moss quartz, adventurine, 2009.   https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1400177249844-FUEGHVK4Z1CQ90Q2CEBJ/_DSC9365.jpg archive Jewelry - Solitary One Brooch, homage to painter Rufino Tamayo, oxidized sterling silver, 18 & 24k, handmade felt, enamel 2008. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1400177278908-Z9K5NC9YP1MWU323RWB1/_DSC4692.jpg archive Jewelry - Spring Necklace, as seen in Found Object Jewelry (Stackpole Books), sterling silver, found painted steel, wood, handmade felt, 2008. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1660520662986-7FR4G5Q1FVOETH0U7IJ7/image-asset.jpeg archive Jewelry https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1660520701947-NYU3WWJD3EPOPRA38186/image-asset.jpeg archive Jewelry https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1660520731009-LOML3JOIGLU8W2FN7ZXT/image-asset.jpeg archive Jewelry https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1660520755756-NEB395VD9JO1K3T9COZ6/image-asset.jpeg archive Jewelry https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1660520779684-ZCAJ6DUS3W3KJWAUGMN0/image-asset.jpeg archive Jewelry https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1666824483252-T9BS62ZQ8U1PMXVZPIN9/image-asset.jpeg archive Jewelry Eruption Brooch, enamel , copper, glass beads, liquid plastic, silver, pearl, steel http://www.theaclark.com/blue-fun-tunnel daily 0.75 2014-05-21 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1399577524854-JV7VK2NENS5VNRB44WU2/B2+copy.jpg Blue Fun Tunnel - Blue Fun Tunnel #1 Photograph on paper, acrylic, dimensions variable, 2014. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1399577524854-JV7VK2NENS5VNRB44WU2/B2+copy.jpg Blue Fun Tunnel - Blue Fun Tunnel #1 Photograph on paper, acrylic, dimensions variable, 2014. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1399577411504-K7DWQ9QB5D4C0NOYYTUP/B1copy.jpg Blue Fun Tunnel - Blue Fun tunnel #2 Photograph print on paper, acrylic, dimensions variable, 2014. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1399577993002-4HKHGJIFKXUD06FELKWJ/B11.jpg Blue Fun Tunnel - Blue Fun Tunnel #3 Photograph on paper, acrylic, dimensions variable, 2014. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1399577822725-Z5MYZGQECA08F9IYKFOH/B8.jpg Blue Fun Tunnel - Blue Fun Tunnel #4 Photograph on paper, acrylic, dimensions variable, 2014. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1399577901669-VIY2U7P1MCF2INR429FJ/B12.jpg Blue Fun Tunnel - Blue Fun Tunnel #5 Photograph on paper, acrylic, dimensions variable, 2014. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1399577638858-A49VPZLYGOVEZ9AT9GZN/B3.jpg Blue Fun Tunnel - Blue Fun Tunnel #6 Photograph on paper, acrylic, dimensions variable, 2014. http://www.theaclark.com/updatesnews daily 0.75 2024-12-09 http://www.theaclark.com/updatesnews/2024/12/8/greenhill-winter-show monthly 0.5 2024-12-09 http://www.theaclark.com/updatesnews/2024/11/9/la-frontera-shown-in-mingei-international-museum-san-diego-and-cecut-tijuana monthly 0.5 2024-11-09 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/6893e4db-be18-4b18-bc74-512e586443d3/La+frontera+%2Cinsta+sizd.jpeg Updates/News - La Frontera shown in Mingei International Museum, San Diego, and Cecut, Tijuana - Make it stand out Whatever it is, the way you tell your story online can make all the difference. http://www.theaclark.com/updatesnews/2023/7/14/la-frontera-revisited monthly 0.5 2023-11-29 http://www.theaclark.com/updatesnews/2022/7/27/august-1-28-grow-greensboro-residency-for-original-works monthly 0.5 2022-07-27 http://www.theaclark.com/updatesnews/2022/3/30/the-crone-bequeaths-her-riches-to-the-world monthly 0.5 2022-03-30 http://www.theaclark.com/updatesnews/2022/3/17/artist-talk-hunterdon-art-museum-link monthly 0.5 2022-03-18 http://www.theaclark.com/updatesnews/2021/10/9/forthcoming-solo-exhibit-hunterdon-art-museum-clinton-nj-jan-2022 monthly 0.5 2022-02-04 http://www.theaclark.com/updatesnews/2021/10/2/online-exhibition-catalog-hypotheses-target-gallery-alexandria-va monthly 0.5 2021-11-10 http://www.theaclark.com/updatesnews/2021/9/1/new-group-show monthly 0.5 2021-10-02 http://www.theaclark.com/updatesnews/2020/6/9/site-effects-at-the-baltimore-jewelry-center monthly 0.5 2020-06-09 http://www.theaclark.com/updatesnews/2019/11/19/site-effects-group-exhibition-munich-january-17th-february-29th-2020 monthly 0.5 2019-11-20 http://www.theaclark.com/updatesnews/2018/1/7/la-frontera-encounters-along-the-border monthly 0.5 2018-01-07 http://www.theaclark.com/updatesnews/2016/12/24/duality-of-presence monthly 0.5 2019-11-20 http://www.theaclark.com/updatesnews/2016/8/13/cyrosphere-so-blue monthly 0.5 2016-08-13 http://www.theaclark.com/updatesnews/2016/1/25/february-24-march-1-new-work-from-the-new-world monthly 0.5 2016-01-26 http://www.theaclark.com/updatesnews/2016/1/25/opening-guide-ropes-and-live-wires monthly 0.5 2016-01-26 http://www.theaclark.com/updatesnews/2015/10/23/artist-talk-the-not-so-secret-life-of-plants-1 monthly 0.5 2015-10-23 http://www.theaclark.com/updatesnews/2015/6/28/the-not-so-secret-life-of-plants monthly 0.5 2015-08-16 http://www.theaclark.com/updatesnews/2014/8/3/new-group-exhibition-thou-art-mom-nj monthly 0.5 2019-11-20 http://www.theaclark.com/updatesnews/2014/5/2/la-frontera monthly 0.5 2014-05-02 http://www.theaclark.com/updatesnews/2014/5/2/multiple-exposurejewelry monthly 0.5 2019-11-20 http://www.theaclark.com/updatesnews/2014/4/26/opening-the-quick-and-the-deep monthly 0.5 2019-11-20 http://www.theaclark.com/updatesnews/tag/exhibition monthly 0.5 http://www.theaclark.com/updatesnews/tag/art+opening monthly 0.5 http://www.theaclark.com/updatesnews/tag/scuplture monthly 0.5 http://www.theaclark.com/updatesnews/tag/New+Contemporary+Jewelry+Exhibition monthly 0.5 http://www.theaclark.com/updatesnews/tag/Visual+Arts+Center+of+New+Jersey+exhibitions monthly 0.5 http://www.theaclark.com/updatesnews/tag/%22exhibition monthly 0.5 http://www.theaclark.com/theaclarkcom daily 0.75 2022-09-02 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1453787503588-L7BOAFCP1QFQZIHSQK6K/IMG_2323.JPG Jewelry- Fluidity and Form - Cyan Structure Brooch, 2014, wood, cyanotype on silk, tinted plastic, nickel silver, sterling. From the series , "Fluidity and Form" (2010-2014), which uses photograms (objects placed directly on photosensitive material) and cyanotypes (transparencies placed on photosensitive material). The images are created to reference ideas of genderedness, and are also inspired by Man Ray's photograms. Incorporating the abstract use of objects such as pearls or wood shavings, diagrams, and text, in order to relate them to their male or female associations. This is further emphasized by placing the blue images in pink framing. An investigation into the nature of identity provided inspiration for the Fluidity and Form series. These works evoke dualities: male and female, anima and animus, yin and yang, stasis and change. The cyanotype images can be seen as fragments of memory, abstracted elements of a changing narrative that add up to a notion of self. They were captured on silk using UV light and water and are rendered in the classic blue color of this early photographic process. Like dermis over muscle, the tinted pink plastic both obscures and unifies the structure underlying it. Alternatively, these pink plastic forms can be read in relation to time. Are they becoming? Solidifying the ephemeral? Or reversing the process, dissolving, and disintegrating?     https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1453787503588-L7BOAFCP1QFQZIHSQK6K/IMG_2323.JPG Jewelry- Fluidity and Form - Cyan Structure Brooch, 2014, wood, cyanotype on silk, tinted plastic, nickel silver, sterling. From the series , "Fluidity and Form" (2010-2014), which uses photograms (objects placed directly on photosensitive material) and cyanotypes (transparencies placed on photosensitive material). The images are created to reference ideas of genderedness, and are also inspired by Man Ray's photograms. Incorporating the abstract use of objects such as pearls or wood shavings, diagrams, and text, in order to relate them to their male or female associations. This is further emphasized by placing the blue images in pink framing. An investigation into the nature of identity provided inspiration for the Fluidity and Form series. These works evoke dualities: male and female, anima and animus, yin and yang, stasis and change. The cyanotype images can be seen as fragments of memory, abstracted elements of a changing narrative that add up to a notion of self. They were captured on silk using UV light and water and are rendered in the classic blue color of this early photographic process. Like dermis over muscle, the tinted pink plastic both obscures and unifies the structure underlying it. Alternatively, these pink plastic forms can be read in relation to time. Are they becoming? Solidifying the ephemeral? Or reversing the process, dissolving, and disintegrating?     https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1453787682871-D29AKUCKJNBT4T45ZQDN/IMG_2375+2.jpg Jewelry- Fluidity and Form - Cyan Breastplate Cyan Breastplate, necklace, wood, pvc, cyanotype on silk, tinted plastic, silver, 2014. From the series , "Fluidity and Form" (2010-2014), which uses photograms (objects placed directly on photosensitive material) and cyanotypes (transparencies placed on photosensitive material). The images are created to reference ideas of genderedness, and are also inspired by Man ray's photograms. Incorporating the abstract use of objects such as pearls or wood shavings, diagrams, and text, in order to relate them to their male or female associations. This is further emphasized by placing the blue images in pink framing. An investigation into the nature of identity provided inspiration for the Fluidity and Form series. These works evoke dualities: male and female, anima and animus, yin and yang, stasis and change. The cyanotype images can be seen as fragments of memory, abstracted elements of a changing narrative that add up to a notion of self. They were captured on silk using UV light and water and are rendered in the classic blue color of this early photographic process. Like dermis over muscle, the tinted pink plastic both obscures and unifies the structure underlying it. Alternatively, these pink plastic forms can be read in relation to time. Are they becoming? Solidifying the ephemeral? Or reversing the process, dissolving, and disintegrating?   https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1396208613322-67RE2R0948143K2Y3IAO/Thea+Clark+1.jpg Jewelry- Fluidity and Form - Six Degrees Brooch, 2011, wood, pvc, plexiglass, nickel, tinted plastic, cyanotype on silk. (Multiple Exposures: Jewelry and Photography exhibition and catalogue, Museum of Arts and Design, NYC, 2104) From the series , "Fluidity and Form" (2010-2014), which uses photograms (objects placed directly on photosensitive material) and cyanotypes (transparencies placed on photosensitive material). The images are created to reference ideas of genderedness, and are also inspired by May Ray's photograms. Incorporating the abstract use of objects such as pearls or wood shavings, diagrams, and text, in order to relate them to their male or female associations. This is further emphasized by placing the blue images in pink framing. An investigation into the nature of identity provided inspiration for the Fluidity and Form series. These works evoke dualities: male and female, anima and animus, yin and yang, stasis and change. The cyanotype images can be seen as fragments of memory, abstracted elements of a changing narrative that add up to a notion of self. They were captured on silk using UV light and water and are rendered in the classic blue color of this early photographic process. Like dermis over muscle, the tinted pink plastic both obscures and unifies the structure underlying it. Alternatively, these pink plastic forms can be read in relation to time. Are they becoming? Solidifying the ephemeral? Or reversing the process, dissolving, and disintegrating?     https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1396208448315-9MZ0GEYJCWM0MZPDIHFO/Root_Necklace_sRGB.jpg Jewelry- Fluidity and Form - Root Root necklace, 2011, plastic, cyanotype on silk, wood, nickel silver, sterling, cotton, pvc (Multiple Exposures: Jewelry and Photography exhibition and catalogue, Museum of Arts and Design, NYC, 2104). From the series , "Fluidity and Form" (2010-2014), which uses photograms (objects placed directly on photosensitive material) and cyanotypes (transparencies placed on photosensitive material). The images are created to reference ideas of genderedness, and are also inspired by the photograms of Man Ray. Incorporating the abstract use of objects such as pearls or wood shavings, diagrams, and text, in order to relate them to their male or female associations. This is further emphasized by placing the blue images in pink framing. An investigation into the nature of identity provided inspiration for the Fluidity and Form series. These works evoke dualities: male and female, anima and animus, yin and yang, stasis and change. The cyanotype images can be seen as fragments of memory, abstracted elements of a changing narrative that add up to a notion of self. They were captured on silk using UV light and water and are rendered in the classic blue color of this early photographic process. Like dermis over muscle, the tinted pink plastic both obscures and unifies the structure underlying it. Alternatively, these pink plastic forms can be read in relation to time. Are they becoming? Solidifying the ephemeral? Or reversing the process, dissolving, and disintegrating?     https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1396207667342-MC8X9OJR0K0LRCKQIEUX/Clark_Thea2house+copy.jpg Jewelry- Fluidity and Form - Cyan House Neck piece, wood, brass, nickel, tinted plastic, cyanotype on silk, 2012. From the series , "Fluidity and Form" (2010-2014), which uses photograms (objects placed directly on photosensitive material) and cyanotypes (transparencies placed on photosensitive material). The images are created to reference ideas of genderedness and are also inspired by Man Ray's photograms.. Incorporating the abstract use of objects such as pearls or wood shavings, diagrams, and text, in order to relate them to their male or female associations. This is further emphasized by placing the blue images in pink framing. An investigation into the nature of identity provided inspiration for the Fluidity and Form series. These works evoke dualities: male and female, anima and animus, yin and yang, stasis and change. The cyanotype images can be seen as fragments of memory, abstracted elements of a changing narrative that add up to a notion of self. They were captured on silk using UV light and water and are rendered in the classic blue color of this early photographic process. Like dermis over muscle, the tinted pink plastic both obscures and unifies the structure underlying it. Alternatively, these pink plastic forms can be read in relation to time. Are they becoming? Solidifying the ephemeral? Or reversing the process, dissolving, and disintegrating?   https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1396208318640-LJRAXJY6C19TVMYE0B29/Clark_Thea1growth+copy.jpg Jewelry- Fluidity and Form - Cyan Growth Cyan Growth, necklace, 2012, wood, nickel, brass, silver, tinted plastic, cyanotype on silk. From the series , "Fluidity and Form" (2010-2014), which uses photograms (objects placed directly on photosensitive material) and cyanotypes (transparencies placed on photosensitive material). The images are created to reference ideas of genderedness and are also inspired by Man ray's phtograms. Incorporating the abstract use of objects such as pearls or wood shavings, diagrams, and text, in order to relate them to their male or female associations. This is further emphasized by placing the blue images in pink framing. An investigation into the nature of identity provided inspiration for the from my Fluidity and Form series. These works evoke dualities: male and female, anima and animus, yin and yang, stasis and change. The cyanotype images can be seen as fragments of memory, abstracted elements of a changing narrative that add up to a notion of self. They were captured on silk using UV light and water and are rendered in the classic blue color of this early photographic process. Like dermis over muscle, the tinted pink plastic both obscures and unifies the structure underlying it. Alternatively, these pink plastic forms can be read in relation to time. Are they becoming? Solidifying the ephemeral? Or reversing the process, dissolving, and disintegrating?   https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1396209780893-717GK5KKWY2A2K6SKOLD/Thea_Clark4.jpg Jewelry- Fluidity and Form From the series , "Fluidity and Form" (2010-2014), which uses photograms (objects placed directly on photosensitive material) and cyanotypes (transparencies placed on photosensitive material). The images are created to reference ideas of genderedness and are also inspired by Man Ray's photograms. Incorporating the abstract use of objects such as pearls or wood shavings, diagrams, and text, in order to relate them to their male or female associations. This is further emphasized by placing the blue images in pink framing. An investigation into the nature of identity provided inspiration for the Fluidity and Form series. These works evoke dualities: male and female, anima and animus, yin and yang, stasis and change. The cyanotype images can be seen as fragments of memory, abstracted elements of a changing narrative that add up to a notion of self. They were captured on silk using UV light and water and are rendered in the classic blue color of this early photographic process. Like dermis over muscle, the tinted pink plastic both obscures and unifies the structure underlying it. Alternatively, these pink plastic forms can be read in relation to time. Are they becoming? Solidifying the ephemeral? Or reversing the process, dissolving, and disintegrating?   https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1396208764656-MIV8OID5HMZ25A695R6E/Thea_Clark7_Cyan_Chain.jpg Jewelry- Fluidity and Form - Cyan Chain Brooch, 2010, plastic, paper, wood, nickel, tinted plastic, cyanotype on silk, pearls. From the series , "Fluidity and Form" (2010-2014), which uses photograms (objects placed directly on photosensitive material) and cyanotypes (transparencies placed on photosensitive material). The images are created to reference ideas of genderedness, and are also inspired by Many Ray's photograms. Incorporating the abstract use of objects such as pearls or wood shavings, diagrams, and text, in order to relate them to their male or female associations. This is further emphasized by placing the blue images in pink framing. An investigation into the nature of identity provided inspiration for the Fluidity and Form series. These works evoke dualities: male and female, anima and animus, yin and yang, stasis and change. The cyanotype images can be seen as fragments of memory, abstracted elements of a changing narrative that add up to a notion of self. They were captured on silk using UV light and water and are rendered in the classic blue color of this early photographic process. Like dermis over muscle, the tinted pink plastic both obscures and unifies the structure underlying it. Alternatively, these pink plastic forms can be read in relation to time. Are they becoming? Solidifying the ephemeral? Or reversing the process, dissolving, and disintegrating?   https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1396208899821-92HS40RBN6NGTKU4P1B7/Thea5351.jpg Jewelry- Fluidity and Form - Cyan Pearls Brooch, 2010, wood, copper, plexiglass, tinted plastic, cyanotype on silk. From the series , "Fluidity and Form" (2010-2014), which uses photograms (objects placed directly on photosensitive material) and cyanotypes (transparencies placed on photosensitive material). The images are created to reference ideas of genderedness, and are also inspired by Man Ray's photograms. Incorporating the abstract use of objects such as pearls or wood shavings, diagrams, and text, in order to relate them to their male or female associations. This is further emphasized by placing the blue images in pink framing. An investigation into the nature of identity provided inspiration for the Fluidity and Form series. These works evoke dualities: male and female, anima and animus, yin and yang, stasis and change. The cyanotype images can be seen as fragments of memory, abstracted elements of a changing narrative that add up to a notion of self. They were captured on silk using UV light and water and are rendered in the classic blue color of this early photographic process. Like dermis over muscle, the tinted pink plastic both obscures and unifies the structure underlying it. Alternatively, these pink plastic forms can be read in relation to time. Are they becoming? Solidifying the ephemeral? Or reversing the process, dissolving, and disintegrating?   https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1396208966698-6UTCSKNWCPV3V9RGMAQD/Cyan_Ellipse.jpg Jewelry- Fluidity and Form - Cyan Ellipse Brooch, 2010, nickel, plastic, shell, pearl, bone, tinted plastic, cyanotype on silk. From the series , "Fluidity and Form" (2010-2014), which uses photograms (objects placed directly on photosensitive material) and cyanotypes (transparencies placed on photosensitive material). The images are created to reference ideas of genderedness, and are also inspired by man Ray's photograms. Incorporating the abstract use of objects such as pearls or wood shavings, diagrams, and text, in order to relate them to their male or female associations. This is further emphasized by placing the blue images in pink framing. An investigation into the nature of identity provided inspiration for the Fluidity and Form series. These works evoke dualities: male and female, anima and animus, yin and yang, stasis and change. The cyanotype images can be seen as fragments of memory, abstracted elements of a changing narrative that add up to a notion of self. They were captured on silk using UV light and water and are rendered in the classic blue color of this early photographic process. Like dermis over muscle, the tinted pink plastic both obscures and unifies the structure underlying it. Alternatively, these pink plastic forms can be read in relation to time. Are they becoming? Solidifying the ephemeral? Or reversing the process, dissolving, and disintegrating?   https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1396209072606-PFYYPHOPKG9R5FAJ2UZJ/Cyan+Square.jpg Jewelry- Fluidity and Form - Cyan Square Brooch, 2010, wood, copper, plexiglass, tinted plastic, cyanotype on silk. From the series , "Fluidity and Form" (2010-2014), which uses photograms (objects placed directly on photosensitive material) and cyanotypes (transparencies placed on photosensitive material). The images are created to reference ideas of genderedness, and are also inspired by Man Ray's photograms. Incorporating the abstract use of objects such as pearls or wood shavings, diagrams, and text, in order to relate them to their male or female associations. This is further emphasized by placing the blue images in pink framing. An investigation into the nature of identity provided inspiration for the Fluidity and Form series. These works evoke dualities: male and female, anima and animus, yin and yang, stasis and change. The cyanotype images can be seen as fragments of memory, abstracted elements of a changing narrative that add up to a notion of self. They were captured on silk using UV light and water and are rendered in the classic blue color of this early photographic process. Like dermis over muscle, the tinted pink plastic both obscures and unifies the structure underlying it. Alternatively, these pink plastic forms can be read in relation to time. Are they becoming? Solidifying the ephemeral? Or reversing the process, dissolving, and disintegrating?   https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1396209151869-NN8T3X2K6CHP7631QINJ/Thea_Clark12_Continued_Thread+copy.jpg Jewelry- Fluidity and Form - Continued Thread Brooch, 2011, wood, nickel, silver, 22k gold, tinted plastic, cyanotype on silk. From the series , "Fluidity and Form" (2010-2014), which uses photograms (objects placed directly on photosensitive material) and cyanotypes (transparencies placed on photosensitive material). The images are created to reference ideas of genderedness, and are also inspired by Man Ray's photograms. Incorporating the abstract use of objects such as pearls or wood shavings, diagrams, and text, in order to relate them to their male or female associations. This is further emphasized by placing the blue images in pink framing. An investigation into the nature of identity provided inspiration for the Fluidity and Form series. These works evoke dualities: male and female, anima and animus, yin and yang, stasis and change. The cyanotype images can be seen as fragments of memory, abstracted elements of a changing narrative that add up to a notion of self. They were captured on silk using UV light and water and are rendered in the classic blue color of this early photographic process. Like dermis over muscle, the tinted pink plastic both obscures and unifies the structure underlying it. Alternatively, these pink plastic forms can be read in relation to time. Are they becoming? Solidifying the ephemeral? Or reversing the process, dissolving, and disintegrating?   https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1396209282964-SZNFLIZNY71RXSA1FIJT/Thea_Clark11_Cyan_Pearls2+copy.jpg Jewelry- Fluidity and Form - Cyan Pearls #2 Brooch, 2012, wood, nickel, tinted plastic, cyanotype on silk, cotton. From the series , "Fluidity and Form" (2010-2014), which uses photograms (objects placed directly on photosensitive material) and cyanotypes (transparencies placed on photosensitive material). The images are created to reference ideas of genderedness, and are also inspired by man Ray's photograms. Incorporating the abstract use of objects such as pearls or wood shavings, diagrams, and text, in order to relate them to their male or female associations. This is further emphasized by placing the blue images in pink framing. An investigation into the nature of identity provided inspiration for the Fluidity and Form series. These works evoke dualities: male and female, anima and animus, yin and yang, stasis and change. The cyanotype images can be seen as fragments of memory, abstracted elements of a changing narrative that add up to a notion of self. They were captured on silk using UV light and water and are rendered in the classic blue color of this early photographic process. Like dermis over muscle, the tinted pink plastic both obscures and unifies the structure underlying it. Alternatively, these pink plastic forms can be read in relation to time. Are they becoming? Solidifying the ephemeral? Or reversing the process, dissolving, and disintegrating?   https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1396209536985-36KYBEBV6VX119GEP7V7/cyanlock%26key2+sold.jpg Jewelry- Fluidity and Form - Cyan Lock and Key Necklace, 2010, pvc, plexiglass, steel, cyanotype on silk, tinted plastic, cotton. From the series , "Fluidity and Form" (2010-2014), which uses photograms (objects placed directly on photosensitive material) and cyanotypes (transparencies placed on photosensitive material). The images are created to reference ideas of genderedness, and are also inspired by man Ray's photograms. Incorporating the abstract use of objects such as pearls or wood shavings, diagrams, and text, in order to relate them to their male or female associations. This is further emphasized by placing the blue images in pink framing. An investigation into the nature of identity provided inspiration for the Fluidity and Form series. These works evoke dualities: male and female, anima and animus, yin and yang, stasis and change. The cyanotype images can be seen as fragments of memory, abstracted elements of a changing narrative that add up to a notion of self. They were captured on silk using UV light and water and are rendered in the classic blue color of this early photographic process. Like dermis over muscle, the tinted pink plastic both obscures and unifies the structure underlying it. Alternatively, these pink plastic forms can be read in relation to time. Are they becoming? Solidifying the ephemeral? Or reversing the process, dissolving, and disintegrating?   https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1396209862521-B3ZVC6QJW0XHJ2FMV81C/Thea5387.jpg Jewelry- Fluidity and Form - Cyan Necklace 2010. From the series , "Fluidity and Form" (2010-2014), which uses photograms (objects placed directly on photosensitive material) and cyanotypes (transparencies placed on photosensitive material). The images are created to reference ideas of genderedness, and are also inspired by man Ray's photograms. Incorporating the abstract use of objects such as pearls or wood shavings, diagrams, and text, in order to relate them to their male or female associations. This is further emphasized by placing the blue images in pink framing. Fluidity and Form series. These works evoke dualities: male and female, anima and animus, yin and yang, stasis and change. The cyanotype images can be seen as fragments of memory, abstracted elements of a changing narrative that add up to a notion of self. They were captured on silk using UV light and water and are rendered in the classic blue color of this early photographic process. Like dermis over muscle, the tinted pink plastic both obscures and unifies the structure underlying it. Alternatively, these pink plastic forms can be read in relation to time. Are they becoming? Solidifying the ephemeral? Or reversing the process, dissolving, and disintegrating?   https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1396209877825-DL1PIHCI2JFR1N9UV3AI/Thea_Clark13_Cyan_Ring+copy.jpg Jewelry- Fluidity and Form - Cyan Ring Ring, 2012,wood, silver, copper, tinted plastic, cyanotype on silk. From the series , "Fluidity and Form" (2010-2014), which uses photograms (objects placed directly on photosensitive material) and cyanotypes (transparencies placed on photosensitive material). The images are created to reference ideas of genderedness, and are also inspired by Man Ray's photograms. Incorporating the abstract use of objects such as pearls or wood shavings, diagrams, and text, in order to relate them to their male or female associations. This is further emphasized by placing the blue images in pink framing. An investigation into the nature of identity provided inspiration for the Fluidity and Form series. These works evoke dualities: male and female, anima and animus, yin and yang, stasis and change. The cyanotype images can be seen as fragments of memory, abstracted elements of a changing narrative that add up to a notion of self. They were captured on silk using UV light and water and are rendered in the classic blue color of this early photographic process. Like dermis over muscle, the tinted pink plastic both obscures and unifies the structure underlying it. Alternatively, these pink plastic forms can be read in relation to time. Are they becoming? Solidifying the ephemeral? Or reversing the process, dissolving, and disintegrating?   https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1662130772938-Y8FFW1SO1IU8HU6Y17OD/image-asset.jpeg Jewelry- Fluidity and Form - Cyan Untitled Donated to the Smithsonian Show Women’s Committee auction https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1400621124850-ADF6SN4BALRN3H3GIGQ7/10011837_10151967373181512_4664570348795584212_o.jpg Jewelry- Fluidity and Form - Installation view Cyan Silhouettes- Works By Anna Marvarotis and Thea Clark, Houston Center of Contemporary Craft, curated by Kathryn Hall, 2014 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1400621267316-A69S6TR2FFNM0YYUK4KO/1978487_10151967373331512_6967351936278067358_o.jpg Jewelry- Fluidity and Form - Installation View "Cyan Silhouettes: Works by Anna Mavromatis and Thea Clark", Houston Center of Contemporary Craft, curated by Kathryn Hall, 2014.   Cyan House, neckpiece https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1400621455776-4TBSCNT00NN5I5K5OK9O/1911294_10151967374056512_7534808223484983733_o.jpg Jewelry- Fluidity and Form - Installation View "Cyan Silhouettes; Works by Anna Mavromatis and Thea Clark", Houston Center of Contemporary Craft, curated by Kathryn Hall, 2014 http://www.theaclark.com/new-jewelry daily 0.75 2025-02-28 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1708321885912-FAD0AODMCY7FJ7QVN5YE/image-asset.jpeg new Jewelry All Work and No Play, La Frontera at Mingei International Museum 2024 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1708321885912-FAD0AODMCY7FJ7QVN5YE/image-asset.jpeg new Jewelry All Work and No Play, La Frontera at Mingei International Museum 2024 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1689363838619-9PPLL45R7TO7VKUC1N6S/image-asset.jpeg new Jewelry - All Work and No Play Neckpiece, 2023: leather gloves, repurposed cotton clothing, found artificial fruit, plastic toy, sterling silver, polyfil. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1638321075159-LMHRQEGVWML14LG0K577/Unseasonable.jpg new Jewelry Unseasonable (summer in winter) 2021 necklace, oxidized sterling silver, copper, thread, repurposed materials: vintage coral beads, cotton, batting, lambswool earmuff. Photo: Terry Greene Photography https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1638320892052-TC7L1LRQCFEEOQ3I1O8L/Unseasonable.jpg new Jewelry Unseasonable (summer in winter) 2021 necklace, oxidized sterling silver, copper, thread, repurposed materials: vintage coral beads, cotton, batting, lambswool earmuff https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1638318401344-P309Q27S29WSXROP0JNS/Fword.jpg new Jewelry F Word, pendant, 2021 Oxidized sterling silver, copper, antique lapis, found shells, kyanite, suede Photo: Terry Greene https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1638318035613-CFFMB80S09JQK33T79VE/Amplify.jpg new Jewelry Amplify 2021, necklace, knotted hemp, coal, shell, pearls, oxidized silver, copper, cyanotype on silk (isobar image) Photo: Terry Greene Photography https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1638320315637-9OVJFG10TKZHS21CXZSL/In+Plain+Sight.jpg new Jewelry In Plain Sight (ode to Odun) 2021, brooch, oxidized copper and sterling silver, knotted hemp, pearls, thread, flood plain maps, mica, steel https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1638318106800-KFZQ22NV7QJOI6BFVR9I/Unseasonable.jpg new Jewelry Unseasonable (summer in winter) 2021 Necklace, oxidized sterling silver, copper, thread , repurposed materials: vintage coral beads, cotton, batting, lambswool earmuff. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1668297419901-XVU8F6OQJVCR0R3YCNRD/Clark_Thea_Apr_2020_01.jpg new Jewelry - Meminero From “Site Effects” exhibition. Brooch: silver, hemp, shell, epoxy resin coated coal and pine rosin, pearls, paper, ink, steel https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1668297461593-YOT20C9V8VRUBWTZLB0R/image-asset.jpeg new Jewelry - Oceanum et Terram From “Site Effects” exhibition. Necklace: copper mesh, hemp, pearls, shell, cotton linen fabric https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1452912555030-RRJZBP8Z7QUNILEM4853/IMG_1620.JPG new Jewelry - Gyre #1 Brooch, 2016, Enamel on copper, lapis, tinted epoxy, stones, oxidized sterling silver. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1396207334371-N717BW3XNLTUU4X21VZ9/yellow+2.jpg new Jewelry - Study in Yellow Neck piece, 2013 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1399047762700-I35A6JM6O0Q6B4ZIKP7X/5plmuUHMn8SweN4DSvVSp9ktY3AymiSszMC7q2jTshM.jpg new Jewelry - Torn Mixed Media, 2013, for "La Frontera" exhibition. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1452912471404-TIA6LSE759T33UIVNOSQ/IMG_1623.JPG new Jewelry - Ice Brooch, 2016, pigmented plaster, resin, anthracite, wood, metals. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1399047923221-O1EATGXZNMT641J9BGUI/entangled2+copy.jpg new Jewelry - Entangled Mixed media, 2014 for "La Frontera" exhibition https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1727636663434-XISBGUWP95MXPWZJ05XS/image-asset.jpeg new Jewelry - Forest Necklace Cyanotype image on silk, turquoise, vintage cut metal beads, grandmother's pearl, oxidized sterling silver and fine silver, brass, copper. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1598507458358-QT05BKWC6BNZNZ2AW7ZS/_Thea%25252BClark%25252BMiminero.jpg new Jewelry - Miminero From “Site Effects” exhibition. Brooch: silver, hemp, shells, epoxy resin coated coal and pine rosin, pearls, paper, ink, steel. http://www.theaclark.com/modern-canadacana daily 0.75 2022-08-31 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1399402497753-J0Y61JRGY04KVDRQM4DN/The+Quick+and+The+Deep.jpg The Quick and the Deep - The Quick and The Deep Installation view, Visual Arts Center of New Jersey, 2014, curated by Mary Birmingham. (Textiles, wood, pigmented cast plaster, artificial turf, steel fencing, acoustic ceiling tile, epoxy clay with pigment) The Quick and the Deep portrays habitat under the influence of rapid climate change, considered from global and personal perspectives. The work reflects the visceral responses people have when they experience the menace, power, and destruction of weather, as well as what it inspires in them; hunkering down versus pulling together, and denial versus action. Textiles, asphalt shingles and insulation are used to invoke a narrative of environmental collapse. These quotidian materials hold a subtext of the domestic realm; they connect what is familiar to what is uncertain, to moments of crisis, in order to recalibrate our relationship with the natural world. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1399402497753-J0Y61JRGY04KVDRQM4DN/The+Quick+and+The+Deep.jpg The Quick and the Deep - The Quick and The Deep Installation view, Visual Arts Center of New Jersey, 2014, curated by Mary Birmingham. (Textiles, wood, pigmented cast plaster, artificial turf, steel fencing, acoustic ceiling tile, epoxy clay with pigment) The Quick and the Deep portrays habitat under the influence of rapid climate change, considered from global and personal perspectives. The work reflects the visceral responses people have when they experience the menace, power, and destruction of weather, as well as what it inspires in them; hunkering down versus pulling together, and denial versus action. Textiles, asphalt shingles and insulation are used to invoke a narrative of environmental collapse. These quotidian materials hold a subtext of the domestic realm; they connect what is familiar to what is uncertain, to moments of crisis, in order to recalibrate our relationship with the natural world. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1661836060839-ZATF5IZP15HK2HD001FV/sjefVJtrLHuZb4kbMGpbsmQxaOX2H1JJA01ZteGvZS8%252CWToUMX_50CiP2nWzbVDc37QeGmX9tSREMlJ_6oJfElI%252CwbgKb-pdCNFdgSWi4wQfUKowRqlEQ2se6eqR97v0a08.jpg The Quick and the Deep - Panoramic view of Installation https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1399402660345-RT68C8ZCDXBLA6W4MW6M/Installation+view_The+Quick+and+The+Deep.jpg The Quick and the Deep - The Quick and The Deep Installation view, Visual Arts Center of New Jersey, 2014, curated by Mary Birmingham The Quick and the Deep portrays habitat under the influence of rapid climate change, considered from global and personal perspectives. The work reflects the visceral responses people have when they experience the menace, power, and destruction of weather, as well as what it inspires in them; hunkering down versus pulling together, and denial versus action. Textiles, asphalt shingles and insulation are used to invoke a narrative of environmental collapse. These quotidian materials hold a subtext of the domestic realm; they connect what is familiar to what is uncertain, to moments of crisis, in order to recalibrate our relationship with the natural world.   https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1399402325424-I7499LRDZ5FJDLKT8VO1/Installation+view_Line_The+Quick+and+the+Deep.jpg The Quick and the Deep - The Quick and The Deep Made onsite with local soil and water. Installation view, Visual Arts Center of New Jersey, 2014, curated by Mary Birmingham (textiles, water and soil, 17' w x 4' h x 5"d) The Quick and the Deep portrays habitat under the influence of rapid climate change, considered from global and personal perspectives. The work reflects the visceral responses people have when they experience the menace, power, and destruction of weather, as well as what it inspires in them; hunkering down versus pulling together, and denial versus action. Textiles, asphalt shingles and insulation are used to invoke a narrative of environmental collapse. These quotidian materials hold a subtext of the domestic realm; they connect what is familiar to what is uncertain, to moments of crisis, in order to recalibrate our relationship with the natural world. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1399402753064-UG0I4U0P1EJ79T1RYSQ9/Detail_the+Quick+and+the+Deep.jpg The Quick and the Deep - detail Installation detail, Visual Arts Center of New Jersey, 2014, curated by Mary Birmingham The Quick and the Deep portrays habitat under the influence of rapid climate change, considered from global and personal perspectives. The work reflects the visceral responses people have when they experience the menace, power, and destruction of weather, as well as what it inspires in them; hunkering down versus pulling together, and denial versus action. Textiles, asphalt shingles and insulation are used to invoke a narrative of environmental collapse. These quotidian materials hold a subtext of the domestic realm; they connect what is familiar to what is uncertain, to moments of crisis, in order to recalibrate our relationship with the natural world.   https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1399402840494-5O2CUOFVQ0PSZQ5W8UPE/Wall+piece_The+Quick+and+the+Deep.jpg The Quick and the Deep - The Quick and The Deep Installation view, Visual Arts Center of New Jersey, 2014, curated by Mary Birmingham (Wooden panel , asphalt shingles, cyanotype on silk, wood, plastic tubing, wood, colored acetate, 51" w x 49" h x 24" d) The Quick and the Deep portrays habitat under the influence of rapid climate change, considered from global and personal perspectives. The work reflects the visceral responses people have when they experience the menace, power, and destruction of weather, as well as what it inspires in them; hunkering down versus pulling together, and denial versus action. Textiles, asphalt shingles and insulation are used to invoke a narrative of environmental collapse. These quotidian materials hold a subtext of the domestic realm; they connect what is familiar to what is uncertain, to moments of crisis, in order to recalibrate our relationship with the natural world.   https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1399402918444-O59ZFPKY4OS2F2J05XAQ/Installation+view_Holding+Pattern_Q+%26+D.jpg The Quick and the Deep - The Quick and The Deep Installation view, Visual Arts Center of New Jersey, 2014, curated by Mary Birmingham The Quick and the Deep portrays habitat under the influence of rapid climate change, considered from global and personal perspectives. The work reflects the visceral responses people have when they experience the menace, power, and destruction of weather, as well as what it inspires in them; hunkering down versus pulling together, and denial versus action. Textiles, asphalt shingles and insulation are used to invoke a narrative of environmental collapse. These quotidian materials hold a subtext of the domestic realm; they connect what is familiar to what is uncertain, to moments of crisis, in order to recalibrate our relationship with the natural world.   https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1400245759064-04C4XZNMC3EH611FK3WT/10336849_10152180816048892_3105135234064803005_n.jpg The Quick and the Deep - The Quick and The Deep Installation view https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1399402977133-DM31W2E5FBLQRQPGPVKF/detail_Holding+Pattern_The+Quick+and+The+Deep.jpg The Quick and the Deep - Detail, Holding Pattern, The Quick and The Deep Installation detail, Visual Arts Center of New Jersey, 2014, curated by Mary Birmingham (acrylic fabric, cotton string, artificial turf, wood, foam The Quick and the Deep portrays habitat under the influence of rapid climate change, considered from global and personal perspectives. The work reflects the visceral responses people have when they experience the menace, power, and destruction of weather, as well as what it inspires in them; hunkering down versus pulling together, and denial versus action. Textiles, asphalt shingles and insulation are used to invoke a narrative of environmental collapse. These quotidian materials hold a subtext of the domestic realm; they connect what is familiar to what is uncertain, to moments of crisis, in order to recalibrate our relationship with the natural world.   https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1399403076876-WJRDH2ZJJAQDL3E1KILL/Installation+view2_The+Quick+and+the+Deep.jpg The Quick and the Deep - The Quick and The Deep Installation view, Visual Arts Center of New Jersey, 2014, curated by Mary Birmingham (wood, asphalt shingles, cyanotype on silk, artificial turf, 6" w x 36" h x 3" d, 6" w x 8' h x 3" d) The Quick and the Deep portrays habitat under the influence of rapid climate change, considered from global and personal perspectives. The work reflects the visceral responses people have when they experience the menace, power, and destruction of weather, as well as what it inspires in them; hunkering down versus pulling together, and denial versus action. Textiles, asphalt shingles and insulation are used to invoke a narrative of environmental collapse. These quotidian materials hold a subtext of the domestic realm; they connect what is familiar to what is uncertain, to moments of crisis, in order to recalibrate our relationship with the natural world.   https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1400245717536-UE7VY7OR2NC373R3TC7N/10351303_10152180815988892_2465674149193661537_n.jpg The Quick and the Deep - Installation view, The Quick and The Deep https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1399403222735-HP69ZA545LJL5Y95W450/tGPPGYrL8cWJYuq4x6c_26lANeSi_OURXNBDxuBVbtQ%2C4-r_9sSUz1SmGvkctCjEkeBHnDkoOhQrc4_oGn_dEXw.jpg The Quick and the Deep - Blue Fun Tunnels, The Quick and The Deep Installation view, Visual Arts Center of New Jersey, 2014, curated by Mary Birmingham The Quick and the Deep portrays habitat under the influence of rapid climate change, considered from global and personal perspectives. The work reflects the visceral responses people have when they experience the menace, power, and destruction of weather, as well as what it inspires in them; hunkering down versus pulling together, and denial versus action. Textiles, asphalt shingles and insulation are used to invoke a narrative of environmental collapse. These quotidian materials hold a subtext of the domestic realm; they connect what is familiar to what is uncertain, to moments of crisis, in order to recalibrate our relationship with the natural world.   https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1399403334859-44U2MQQR3XEBBFY64V0I/Blue+Fun+tunnel+with+Video_Q+%26D.jpg The Quick and the Deep - Blue Fun Tunnel with Video, The Quick and The Deep Video 3:50 minute loop with sound Installation view, Visual Arts Center of New Jersey, 2014, curated by Mary Birmingham The Quick and the Deep portrays habitat under the influence of rapid climate change, considered from global and personal perspectives. The work reflects the visceral responses people have when they experience the menace, power, and destruction of weather, as well as what it inspires in them; hunkering down versus pulling together, and denial versus action. Textiles, asphalt shingles and insulation are used to invoke a narrative of environmental collapse. These quotidian materials hold a subtext of the domestic realm; they connect what is familiar to what is uncertain, to moments of crisis, in order to recalibrate our relationship with the natural world.   https://static1.squarespace.com/static/533855dae4b04753b10b62ae/53385fd0e4b0bea8053a261e/535be982e4b039ef276c08ca/1398532482192/ The Quick and the Deep https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1400618031047-J69GUC67NV561L9352V3/10372589_10152180816168892_8468412730758388963_n.jpg The Quick and the Deep https://static1.squarespace.com/static/533855dae4b04753b10b62ae/53385fd0e4b0bea8053a261e/53c9f983e4b0f6b1906e6639/1661921063684/ The Quick and the Deep - Home town TV Interview https://static1.squarespace.com/static/533855dae4b04753b10b62ae/53385fd0e4b0bea8053a261e/5363ba24e4b0e9ce39aad9d2/1399044644035/ The Quick and the Deep https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1400245817796-23PSPNN3PEDJIA7RDHBD/tunnel.jpg The Quick and the Deep - Interior view The Quick and The Deep interior view of a Blue tunnel wall piece. https://static1.squarespace.com/static/533855dae4b04753b10b62ae/53385fd0e4b0bea8053a261e/53693001e4b038161bc2cc1f/1399402497263/ The Quick and the Deep http://www.theaclark.com/for-the-new-disasters daily 0.75 2020-10-06 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1454563397965-2C1O2N569ZSFNGR0OB01/image-asset.jpeg For the New Disasters - Shelter (for the new disasters) At the Visual Arts Center of New Jersey, Summit, "Guide Ropes and Live Wires: an Art Faculty exhibit, Jan 31-March 13, 2016. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1454563397965-2C1O2N569ZSFNGR0OB01/image-asset.jpeg For the New Disasters - Shelter (for the new disasters) At the Visual Arts Center of New Jersey, Summit, "Guide Ropes and Live Wires: an Art Faculty exhibit, Jan 31-March 13, 2016. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1408418376743-LIR7QENI5ZJBPM53LU1F/somehow+connected+aka+shelter+f.t.n.d..jpg For the New Disasters - Shelter (for the new disasters) Textiles, wood, asphalt shingles, 60" h x 40" w x x 26" d, 2014 For the New Disasters- July, 2014 When all that remains are memories of objects, and a longing for the functions they provided, which are indistinct, like a barely sensed dream after an early morning waking. Pulled from the heaps, cobbled into things that feel essential, but whose purpose are hidden as much by waste as loss. Touch after touch hands know what they knew, making by instinct, differently familiar forms in search of their connection to human activity. These are now in time for the new disasters.   https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1492816473828-RB56EZEITPK9REUYPRQO/IMG_3041.jpg For the New Disasters - Plant for the new disasters Exhibit ”Black, White, and Green”, Gallery at 14 Maple, Morris Arts & Geraldine R Dodge Foundation, Morristown NJ, curator Katherine Murdock . 2016, from "Black, White, and Green", Gallery at 14 Maple, Morristown, NJ. Aluminum, cardboard, textiles, wood, artificial turf, anthracite coal, found objects. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1453786960996-Z7JX9PH4LPZZW7C7ZTFV/image-asset.jpeg For the New Disasters - Kneeler (for the new disasters) 2016 Wood, pvc, cardboard, antracite coal, tinted epoxy resin, textiles, album covers, antler, artificial grass, cyanotype on silk.   For The New Disasters When all that remains are memories of objects, and a longing for the functions they provided, which are indistinct, like a barely sensed dream after an early morning waking. Pulled from the heaps, cobbled into totems that feel essential, but whose purposes are hidden as much by waste as loss. Touch after touch hands know what they knew, making by instinct, differently familiar forms in search of their connection to human activity. These are now in time for the new disasters. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1453784585704-HOVNSCCIXCM2L0ABVTUW/image-asset.jpeg For the New Disasters - Kneeler, detail 2016 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1453784368114-XH01CQUZVXPWI0KWROHB/image-asset.jpeg For the New Disasters - Kneeler, detail 2016 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1408418679855-9KUIYRJ0R12G4A2W7AAS/vessel+f.t.n.d..jpg For the New Disasters - Vessel (for the new disasters) 11" w x 7" d x 6.5" h, found handle, metal mesh, wood, paper mache, textiles, cyanotype on silk, artificial turf. 2014 For the New Disasters- July, 2014 When all that remains are memories of objects, and a longing for the functions they provided, which are indistinct, like a barely sensed dream after an early morning waking. Pulled from the heaps, cobbled into things that feel essential, but whose purpose are hidden as much by waste as loss. Touch after touch hands know what they knew, making by instinct, differently familiar forms in search of their connection to human activity. These are now in time for the new disasters. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1408499165158-JAL7YZ42A3VK3RZV8YK9/weapon.jpg For the New Disasters - Weapon (for the new disasters) 2l" w x 22" h x 4"D, 2014 sponge, coral, copper, foam, cotton string, waxed cord, acrylic fabric, acoustic tile, wood. For the New Disasters- July, 2014 When all that remains are memories of objects, and a longing for the functions they provided, which are indistinct, like a barely sensed dream after an early morning waking. Pulled from the heaps, cobbled into things that feel essential, but whose purpose are hidden as much by waste as loss. Touch after touch hands know what they knew, making by instinct, differently familiar forms in search of their connection to human activity. These are now in time for the new disasters. http://www.theaclark.com/cryoshpere-so-blue daily 1.0 2023-07-10 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1463353598473-SI4NRQZL3FBMHZWWF539/13217051_10154101218079534_2366864225366298293_o.jpg *Cryoshpere So Blue - Cryosphere So Blue Thea Clark: Cryosphere So Blue A special installation in Velvet da Vinci’s Elevator space. 2015 Polk Street, San Francisco, CA 94109 http://www.velvetdavinci.com/2016/04/thea-clark-cryosphere-so-blue/ May 13 – 22, 2016 Artist’s Reception: Friday, May 13, 2016, 6-8pm   Velvet Da Vinci is pleased to present Thea Clark’s Cryosphere So Blue, a site-specific installation in the gallery’s two-story elevator shaft. The show will run May 11 – 22, 2016. An Artist’s Reception will take place Friday, May 13, 2016, from 6-8pm.   The term cryosphere refers to the frozen water on the earth’s surface. The installation is inspired by the work of pioneering female Arctic explorer Louise A. Boyd of San Rafael, California who in the 1930’s conducted numerous expeditions to Eastern Greenland to do research on glaciers and geography. Boyd’s work included documenting the landscapes with hundreds of photographs made using state of the art cameras. Her collective research from over 80 years ago is still used today as a reference point for climate change studies. Boyd’s black and white images capture amazing surface detail but we know the true glowing blues of icebergs and glaciers were only possible to see in person. Thea Clark’s sculpture and jewelry installation is influenced by these captured images, Boyd’s actual seen experience, documented scientific findings, and the nautical aspect of the exploration. Through the use of color, texture, and materials Clark pays homage to the natural wonder of the Arctic. Clark focuses on the pioneering spirit of Boyd through the lens of today’s knowledge of man’s responsibility for the rapid loss of our cryosphere. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1463353598473-SI4NRQZL3FBMHZWWF539/13217051_10154101218079534_2366864225366298293_o.jpg *Cryoshpere So Blue - Cryosphere So Blue Thea Clark: Cryosphere So Blue A special installation in Velvet da Vinci’s Elevator space. 2015 Polk Street, San Francisco, CA 94109 http://www.velvetdavinci.com/2016/04/thea-clark-cryosphere-so-blue/ May 13 – 22, 2016 Artist’s Reception: Friday, May 13, 2016, 6-8pm   Velvet Da Vinci is pleased to present Thea Clark’s Cryosphere So Blue, a site-specific installation in the gallery’s two-story elevator shaft. The show will run May 11 – 22, 2016. An Artist’s Reception will take place Friday, May 13, 2016, from 6-8pm.   The term cryosphere refers to the frozen water on the earth’s surface. The installation is inspired by the work of pioneering female Arctic explorer Louise A. Boyd of San Rafael, California who in the 1930’s conducted numerous expeditions to Eastern Greenland to do research on glaciers and geography. Boyd’s work included documenting the landscapes with hundreds of photographs made using state of the art cameras. Her collective research from over 80 years ago is still used today as a reference point for climate change studies. Boyd’s black and white images capture amazing surface detail but we know the true glowing blues of icebergs and glaciers were only possible to see in person. Thea Clark’s sculpture and jewelry installation is influenced by these captured images, Boyd’s actual seen experience, documented scientific findings, and the nautical aspect of the exploration. Through the use of color, texture, and materials Clark pays homage to the natural wonder of the Arctic. Clark focuses on the pioneering spirit of Boyd through the lens of today’s knowledge of man’s responsibility for the rapid loss of our cryosphere. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1463355587075-YQZW5WYWRB4E4MEDM2X6/IMG_5261.jpg *Cryoshpere So Blue - Cryosphere So Blue Site specific installation.   Foam, plexiglass, thread, 9' x 28" x 28", 5.5' x 20" x 20", 4' x 16" x 16" https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1463355639271-FRGS16E082FKWZ87GRW3/IMG_5226.jpg *Cryoshpere So Blue https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1463355706483-QVA004093POZ8ZYQQW1M/IMG_5220.JPG *Cryoshpere So Blue - Cryosphere So Blue Velvet DaVinci, site-specific installation. May 2016 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1463355908262-O0A0MUQRBJX37QI9P827/IMG_5214.JPG *Cryoshpere So Blue https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1463356001420-SACCJH3KYUP7LMP0ERMP/FullSizeRender.jpg *Cryoshpere So Blue - Louise Glacier necklace 2015 Tinted resin, stones, wood, anthracite coal, oxidized sterling silver, hemp. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1463356096139-15Q303G2BLY8ZQ2TDUQK/FullSizeRender.jpg *Cryoshpere So Blue - Hisinger Glacier Brooch Pigmented plaster, resin, hemp, rutilated quartz, brass https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1463356158252-OI2T4F2H9LFO3TQQ7CLL/IMG_5316.jpg *Cryoshpere So Blue - Walthauser Glacier Brooch Pigmented resin, stones, wood, anthracite, silver https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1463356215169-D2AX00VMAWOK02EQS1Y8/IMG_5326.jpg *Cryoshpere So Blue - Echo Soundings Profile Necklace Rope, sterling silver, leather https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1463356334965-EACJO71AI189QUMHFV3X/FullSizeRender.jpg *Cryoshpere So Blue https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1463356438508-0YXHSXJZR281ETZ296CJ/IMG_5322.jpg *Cryoshpere So Blue - Narrative Brooch Pigmented plaster, resin, antracite, brass, wood https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1463356379637-R8HE7LF34NU0MFQWCKDN/FullSizeRender.jpg *Cryoshpere So Blue - Head of Josef Franz Fiord Brooch Pigmented plaster, resin, hemp, brass, nickel, plastic coating, rutilated quartz. 3.5" x 3.5" x 1.5" https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1463356414260-MUF0OBWERXDZONSYGZNH/IMG_5324.jpg *Cryoshpere So Blue https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1463356460529-3N3MC07C9VNAH32OTUF1/IMG_5320.jpg *Cryoshpere So Blue https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1463356557500-B4JB5M9E3YLY6JP35AUC/IMG_5328.jpg *Cryoshpere So Blue - Louise A. Boyd on deck circa 1933 Ink on paper, mica   https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1489011344354-BAZ7167JGBM1FPX5KRA3/_TLG6634-2.jpg *Cryoshpere So Blue - Head of Josef Franz Fiord Brooch 2016, pigmented plaster and epoxy resin, hemp, oxidized silver, tinted plastic, rutilated quartz, nickel, brass, acrylic. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1489011586482-1PBYJ69P1HE5YNHTUE2W/_TLG6639.jpg *Cryoshpere So Blue - Narrative Brooch Pigmented plaster, epoxy resin, anthracite coal, wood, brass, nickel. 2016 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1489011757819-P25Y0FX84G9Y65WPF0PF/_TLG6637.jpg *Cryoshpere So Blue - Hisinger Glacier Brooch 2016. Pigmented plaster, epoxy resin, hemp, silver, brass, nickel, rutilated quartz. https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1489011872711-L8EHN3ALBV6ULZ4ER0AX/_TLG6643+copy.jpg *Cryoshpere So Blue - Echo Soundings Profile Pendant 2016. Oxidized silver, waxed cotton. http://www.theaclark.com/wall-work daily 0.75 2023-07-10 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1635951531376-KZDN5W5R51SCW9ZBWK3Y/Darwin+Tulips.jpg Wall Work - Darwin Tulips Mixed media on paper, 14”h x 11” w (2021) Shirt fabric with buttons, found ceramic shard, found fabric leaf, found hardened acrylic paint, fabric, cotton embroidery floss, vintage printed paper, wood with acrylic, gouache https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1725469714573-ESSPKG4SAFP716ZNA7E8/image-asset.jpg Wall Work - Storm Flower, 2021 Work on paper, found wood, found fabric, deconstructed book, toner on fabric, isobar map printed on paper, vintage printed image, scouring pad, glass beads, miniature asphalt shingle, gouache , 18” x 12” https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1662128667933-9UTVKJGIRUIBNJVP5CJG/image-asset.jpeg Wall Work - Ode to ENF (Circumstances Affecting the Heat of the Sun's Rays, 1856) Mixed media assemblage on paper. Soil dyed bed sheet cotton with fabric dye, vintage garden book text, linoleum, pine rosin, printed map, reflector fragment, 2022 18.5” h x 4.5”w x 0.25”d https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1655146834084-W7CDRHWQSEVZS9394B1B/image-asset.jpg Wall Work - Non Remnant Landscape A remnant landscape or habitat refers to an area that is undisturbed, uncut, or unpolluted containing native flora and fauna. The piece Non Remnant Landscape (made from remnants) is a talismanic object. 12” H x 11.5”W x .5”D, hand made flax paper, soiled dyed and scorched cotton bedsheet, mica, map prints, found ocean tumbled glass and ceramic shards, pebble, dried plant. 2022 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1646415335246-K34OQD5IX3R3VN56AUUY/Untitled_1_copy+copy.jpg Wall Work Untitled 1 Paper, fabric, thread , gouache, printed https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1652293246059-EBMZKX2UBCUHVJNAE5ZH/image-asset.jpeg Wall Work - Untitled 4 Handmade flax paper, slip dyed cotton, gouache, printed paper, mica, thread https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1653339901691-TJY7UPSG5C29GE8IGWKN/image-asset.jpeg Wall Work - New Ice Printed archival illustration on board, printed maps, copper, gouache, thread. 5” x 5”, 2022 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1635951454908-YFE6KNL4VO2CVZZEOYMJ/Deep+Under_Thea+Clark.jpg Wall Work - Deep Under Mixed media on paper , 9” h x 5.5” w (2020) Paper, cyanotype on silk, isobar maps printed, found hardened acrylic paint, mylar, fabric, thread, vinyl letters https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1635951360416-ZSS1G3M9UVE4ZXNIU6TZ/Untitled_I_TC+2.jpg Wall Work - Untitled 2, 2021 Paper, thread, gouache, vitreous enamel on mica, gouache on paper, flood maps (toner on paper), printed archival document (toner on paper), tea stained https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1635951492459-6W2BHCCOSB61SBOWS55D/Wildness.jpg Wall Work - Wildness Mixed media on paper 14” h x 9” w (2021) Found paper pulp with leaves, found plastic ,found hardened acrylic paint, painted acoustic tile, fabric, pearls, amethyst, thread, cardboard, acrylic sheet, printed book cover https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1635951415099-9NTTXE78FZPYUQEKJIGX/Flood+Fauna.jpg Wall Work - Flood Fauna Mixed media on paper, 18”h x 12” w (2021) Fabric, thread, toner copy flood map and isobar maps (ink on paper) gouache, 2021 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1652293454204-RI302BNK4XF7JHEQ8NY0/image-asset.jpeg Wall Work - Untitled 3 Handmade flax paper, gouache, thread, oil pastel, ceramic shards https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1632941555837-CRTTS2IJZOWNR02U29AB/Sword+Flower+copy.jpg Wall Work - Sword Flower 14”h x 10” w (2021) Mixed media on paper, found painted wood, found fabric, glass beads, gouache, found print, isobar map printed, miniature shingles, book binding https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1635951557842-5SDPSLLTSJWINQ7M7KCI/Landscape+with+Disturbance_Thea+Clark.jpg Wall Work - Landscape with Disturbance Mixed media on paper, 11’h x 9”w (2020) Paper, gouache, isobar map (toner on paper) vinyl lettering, cardboard, thread, pvc, fabric, https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1635951603810-MAOCIE7WFSZX8YEHTPRN/image-asset.jpeg Wall Work - Wade Work on paper, 2020 (9” x 7”) Gouache on paper, fabric, thread, lettering, isobar map print on paper https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1632941645775-CAGEZNPSLXVLXPFKZJNP/Factory+Setting.jpg Wall Work - Factory Setting Mixed media on paper , 11” h x 9” w Fabric, gouache on paper, book binding, 23k gold leaf, mylar, 2021 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1629474852097-BNVXBADQMWIOUQFMRNHN/tc%2C+untitled_1%2C+2021.jpg Wall Work http://www.theaclark.com/doundo daily 0.75 2023-07-10 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1643958085554-A7X86ACA81L6D51FSB8L/Do%3Aundo+view.jpeg Do/Undo - Do/Undo, Do/Undo, The Hunterdon Art Museum solo exhibit, jewelry, installation and video. January 23- March 6, 2022, Clinton, NJ https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1643958128125-MEFJUOAPFNHRTAGCGEPC/Show+-+Summer+in+Winter.jpg Do/Undo https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1644269716031-XOOO2MWWP90OK31XH0BQ/Still%2Bfrom%2Bvideo.jpg Do/Undo https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1643958212503-1MPFW9SE0RSP4FNF6IQH/Show-+Skies_+Ad+oceanum.jpg Do/Undo https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1643958266413-9CETV6XUC0ZZUHIF4L3F/Show_Red+weather+1%2C+cloud%2C+eye.jpg Do/Undo https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1643958295494-LM54P1LT3V8I7BPPIV43/Show+Amplify.jpg Do/Undo https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1643958391019-TA2777BSQAO3RTP31CVJ/Show+Weather+2%2C+meminero%2C+in+plain+sight.jpg Do/Undo https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1643958409243-1S2NI2667622GHGIUZEX/Show+warned.jpg Do/Undo https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1643958482051-9EZC62SQI8326VAOME3Q/Show+wall+words.jpg Do/Undo http://www.theaclark.com/jewelryware daily 0.75 2023-07-10 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1670177677607-LQS7WVKSD9ZOWQYOR6UQ/image-asset.jpeg JewelryWare - Currents Pendant Oxidized sterling silver, 18k gold, grey fresh water pearl, 16” chain. 2 1/2” long x 1 1/2” wide x 1/4” deep Contact for price https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1670177677607-LQS7WVKSD9ZOWQYOR6UQ/image-asset.jpeg JewelryWare - Currents Pendant Oxidized sterling silver, 18k gold, grey fresh water pearl, 16” chain. 2 1/2” long x 1 1/2” wide x 1/4” deep Contact for price https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1670177916604-ZOBRMPR5LP3RYW3MDKY8/image-asset.jpeg JewelryWare - Dig Pendant One of a kind, oxidized sterling silver, 23.5 k gold, Biwa pearl, 18 “ chain. 2” long x 1/2” wide x 1/4’” deep Contact for price https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1670178077030-K5I9WP2EOS7OD4H3T2VI/image-asset.jpeg JewelryWare - Sunset Earrings One of a kind, oxidized sterling silver, garnets, linoleum. Domed hollow rectangle with open sides top, sterling posts. 3/4” long x 1/2” wide x 1/4 deep. Contact for price https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1670178634176-LBRNUCX3TQM3KSEN0ZGB/image-asset.jpeg JewelryWare - Fin Earrings Oxidized sterling silver, linoleum, sterling posts and backs. 1 3/8” long x 3/4” wide x 1/8” deep Contact for price https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1670178824147-7PCCC4PEC9OH9AIWB5GX/image-asset.jpeg JewelryWare - Bi-metal leaves earrings One of a kind, oxidized sterling silver, 22k gold bi-metal, white pearls 9/16” long x 1/2” wide x 3/16” deep Contact for price https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1670287175862-AD6O8HOQ68V6QIGV0PDF/image-asset.jpeg JewelryWare - One of a Kind Pendant with Opal Oxidized sterling silver, 22k gold bi-metal, Mexican matrix fire opal . 18” chain. 1 1/2” long x 3/4” wide x 1/4 deep Mexican matrix fire opal 14.30 mm long x 11.4 mm wide Contact for price http://www.theaclark.com/classes-workshops daily 0.75 2025-02-28 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1660883653597-8YUUZAB10774J5O4C8B7/IMG_4425.JPG Classes & Workshops https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1660883686073-NX0DEG9SVMV41YLR86X9/IMG_4428.JPG Classes & Workshops http://www.theaclark.com/links daily 0.75 2022-03-04 http://www.theaclark.com/contact daily 0.75 2014-06-19 http://www.theaclark.com/new-page-1 daily 0.75 2025-10-26 http://www.theaclark.com/print daily 0.75 2022-07-27 http://www.theaclark.com/thea-clark-grow-residency daily 0.75 2023-07-10 https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1661836372049-T4SXWYOPS8E73U53KUWJ/IMG_2889.jpg Grow Residency https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1661836391249-Z3GDBJQR0IOJJB9Y0QD1/IMG_2894.jpg Grow Residency https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1661836414494-D0CKY12XU919SDI3L25P/IMG_2880.jpg Grow Residency https://images.squarespace-cdn.com/content/v1/533855dae4b04753b10b62ae/1661836431105-EWUMVN4TBU7AIE6VZBGS/IMG_2879.jpg Grow Residency http://www.theaclark.com/store daily 0.75 2026-03-04